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Photographing Frida: Portraits of Frida Kahlo/
Fotografiando Frida: Retratos de Frida Kahlo

February 1, 2019 – April 14, 2019

Organized by the Arkansas Arts Center in collaboration with Throckmorton Fine Art, New York, New York

Tehuana Frida KahloThe first exhibition about iconic artist Frida Kahlo to appear at the Arkansas Arts Center, Photographing Frida: Portraits of Frida Kahlo/Fotografiando Frida: Retratos de Frida Kahlo is a rare opportunity to see one of Mexico’s greatest painters captured by many of the 20th century’s most important photographers.

Photographing Frida: Portraits of Frida Kahlo features 65 images of Kahlo as art and artist. The photographs document Kahlo’s life as seen by the greatest photographers of the time – Lola and Manuel Álvarez Bravo, Imogen Cunningham, Emmy Lou Packard, Graciela Iturbide, Nickolas Muray and Edward Weston, among others. From casual snapshots to intimate family photographs to artfully posed studio portraits, viewers will see the full spectrum of Kahlo’s life, from self-assured adolescent, to influential artist, fashion icon and passionate lover, as she takes on a mythic presence in our collective imagination.

In the hands of photojournalists, friends and artists, the camera allowed Kahlo to explore her own image and identity, document her marriage to the great muralist Diego Rivera, express her strong political views, and artfully reveal her life-long struggle to overcome her physical challenges. In the process, she ultimately defined the principal subject of her own art – herself.

Photographing Frida is an opportunity to see Frida Kahlo as you’ve never seen her before,” Chief Curator Brian J. Lang said. “These images defined not only the way the world saw her – and continues to see her – but how she saw and depicted herself through her own work.”

Frida Kahlo was born in Coyoacán, Mexico City, Mexico in 1907. Her father, Guillermo Kahlo, was a photographer, and often photographed the young Frida. Through her father’s portraits, she became acquainted with the power of her own image.

Kahlo’s short life was punctuated by struggles with physical ailments. She was born with spina bifida, a congenital spinal condition that affected her health throughout her life. She contracted polio as a child, which left her right leg shorter and weaker than the left. At age 18, Kahlo was severely injured in a near-fatal bus accident, fracturing several ribs, both her legs, as well as her collarbone and pelvis. The effects of the injuries lasted a lifetime, informing her art and the identity she honed through photography.

In 1929, Kahlo married muralist Diego Rivera. Throughout their tumultuous marriage, the couple was often photographed together, both in Mexico and in the United States. Rivera is a major presence, both in Kahlo’s life and in the photographs that document their life. As they traveled through Mexico and the United States, the “Frida and Diego,” as they were affectionately known – became a source of fascination and intrigue for the paparazzi: Kahlo, stunning in her Tehuana dresses, beribboned hair and beaded jewelry, accompanied her famous muralist husband. Photos of their second wedding (the couple divorced in 1939, only to remarry a year later) in California were captured by American press photographers.

The exhibition reveals Kahlo’s fascination with fashion – as self-expression, political expression and a means for concealing her physical disabilities. She was often photographed wearing traditional Mexican clothing – Tehuana dresses, huipils and rebozos, all accessorized with beautiful beaded jewelry. Under the voluminous skirts and flowing dresses, she was able to hide the injuries that had plagued her since youth. The pre-Hispanic clothing she was so fond of allowed her to express her belief in mexicanidad – the nationalist movement that found its inspiration in pre-Columbian Mexico after the end of the Mexican Revolution.

Kahlo continued to be photographed until her death in 1954. To each photographer she encountered, she became something new – ever present and continually beguiling – but made different through their lens. In the process, she herself became a work of art.

“I insist that Frida was a special being, not a person one ran into every day,” photographer Lola Álvarez Bravo said. “When she spoke, when she moved, when she painted, when she expressed herself, she already was inspiring something. To me, she was like birds and flowers and knitted quilts, a Mexican mood concentrated in an epoch and all expressed through her. She was like that.”

Photographing Frida features images by Lola Álvarez Bravo, Manuel Álvarez Bravo, Florence Arquin, Lucienne Bloch, Imogen Cunningham, Gisèle Freund, Hector Garcia, Juan Guzman, Graciela Iturbide, Peter Juley, Guillermo Kahlo, Bernice Kolko, Leo Matiz, Nickolas Muray, Emmy Lou Packard, Victor Reyes, Bernard Silberstein, Edward Weston and Guillermo Zamora. A fully-illustrated catalogue, Mirror, Mirror: Portraits of Frida Kahlo, featuring an essay by Salomon Grimberg, a noted authority on Latin American art, accompanies the exhibition.

Above Right Image: Bernard G. Silberstein, American (Duluth, Minnesota, 1905 – 1999, Cincinnati, Ohio), Frida Wearing Tehuana Dress, Coyoacán, 1940, gelatin silver print, 14 x 11 inches. Courtesy of Throckmorton Fine Art, New York, New York.

 

Featured Works from the Exhibition


Guillermo Kahlo, Mexican (Pforzheim, Germany, 1871 – 1941, Mexico City, Mexico), Frida Kahlo at 18, Mexico, 1926, vintage gelatin silver print, 6 ½ x 4 ½ inches. Courtesy of Throckmorton Fine Art, New York, New York.

Nickolas Muray, American (Szeged, Hungary, 1892 – 1965, New York, New York), Frida Kahlo on White Bench, New York (2nd Edition), 1939, color carbon print, 19 x 14 ½ inches. Courtesy of Throckmorton Fine Art, New York, New York.

Lola Álvarez Bravo, Mexican (Lagos de Moreno, Mexico 1903 – 1993, Mexico City, Mexico), Frida Looking Into Mirror, 1944, gelatin silver print, 10 x 8 inches. Courtesy of Throckmorton Fine Art, New York, New York.

Edward Weston, American (Highland Park, Illinois, 1886 – 1958, Carmel-by-the-Sea, California), Frida Kahlo, 1930 (printed 2004), selenium-toned gelatin silver print repro copy, 9 ¼ x 7 ¾ inches. Courtesy of Throckmorton Fine Art, New York, New York.

Emmy Lou Packard, American (El Centro, California, 1914 – 1998, San Francisco, California) Frida Kahlo and Emmy Lou Packard, Coyoacán, Mexico, 1941, platinum print, 10 ½ x 10 ½ inches. Courtesy of Throckmorton Fine Art, New York, New York.

Nickolas Muray, American (Szeged, Hungary, 1892 – 1965, New York, New York), Frida with Magenta Rebozo “Classic,” 1939, color carbon print, 14 ½ x 11 ½ inches. Courtesy of Throckmorton Fine Art, New York, New York.

Victor Reyes, Diego And His Bride Frida, Mexico, 1929, vintage gelatin silver print, 5 ¾ x 3 ¾ inches. Courtesy of Throckmorton Fine Art, New York, New York.

Nickolas Muray, American (Szeged, Hungary, 1892 – 1965, New York, New York), Frida Painting “The Two Fridas,” circa 1939, gelatin silver print, 12 x 12 inches. Courtesy of Throckmorton Fine Art, New York, New York.

Juan Guzman, Mexican (Cologne, Germany, 1911 – 1982, Mexico City, Mexico) Frida in Hospital, Painting, circa 1930s, platinum print, printed by Ava Vargas, 3 ¾ x 4 ¾ inches. Courtesy of Throckmorton Fine Art, New York, New York.

Sponsored by


bank of america

JC Thompson Trust

Judy Fletcher, In Memory of John R. Fletcher

Belinda Shults

Laura Sandage Harden and Lon Clark

Holleman & Associates, P.A.

Barbara House

Rhonda and Tim Jordan

 

Preproduction sponsor: Consulate of Mexico in Little Rock

 

Arkansas Arts Center programs are supported in part by: the City of Little Rock; the Little Rock Convention and Visitors Bureau; the City of North Little Rock; Arkansas Arts Center Board of Trustees; and the Arkansas Arts Council, an agency of the Department of Arkansas Heritage, and the National Endowment for the Arts.

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