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Independent Vision: Modern and Contemporary Art from the Martin Muller Collection

September 28, 2018 – December 30, 2018

Organized by the Arkansas Arts Center and Modernism Inc., San Francisco

Martin with “Teenage Diary” suite of photographs by Judy Dater, 2018The Arkansas Arts Center presents the striking vision of a master collector in Independent Vision: Modern and Contemporary Art from the Martin Muller Collection.

San Francisco-based gallerist and collector Martin Muller curated the exhibition from his personal collection as a tribute to Little Rock – the city where he spent his formative early years in America. During those years, Muller discovered an affinity for post-war American painting in the quiet library of the Arkansas Arts Center. It was the beginning of a lifelong, relentless pursuit of new artistic treasures.

“This was the beginning of a rich, colorful, challenging and rewarding journey, started in Little Rock, where I made many lifelong friends,” Muller said.

Independent Vision: Modern and Contemporary Art from the Martin Muller Collection features 89 works from Muller’s personal collection representing his journey through contemporary art. The works in the exhibition represent a range of artistic expression, from American photographers Diane Arbus and Robert Mapplethorpe, modernist masters Pablo Picasso and Henri Matisse, pioneers of the Russian avant-garde Kazimir Malevich, Alexander Bogomazov, and El Lissitzky and pop artists Andy Warhol, Mel Ramos and Edward Ruscha. The show also includes a diverse array of contemporary works by artists such as Joel Besmar, Damian Elwes and Jean-Charles Blais.

Independent Vision draws from Muller’s personal collection – and represents 77 artists he has championed throughout his career. Together, these works form a picture of Muller the collector, on a life-long journey for enlightenment through art and literature.

Born in Switzerland, Muller moved to Little Rock in 1975 to take a job with a Swiss-American company based in Little Rock.

Muller was an avid student of 19th and 20th century Russian literature and art – but developed a fascination with post-war American painting – Abstract Expressionism, Pop Art and Minimalism. While living in Little Rock, he pursued his studies in the Elizabeth P. Taylor library of the Arkansas Arts Center. In 1977, having decided to pursue his passion for art professionally, Muller moved west and opened Modernism, Inc. in San Francisco’s warehouse district South of Market.

“During my trip cross country, I marveled at discovering masterpieces of modern American art, from Edward Hopper to Barnett Newman, Mark Rothko, Jackson Pollock, and later, the Pop and Minimalist artists, especially Donald Judd,” Muller said. “Now, some 40 years later, it gives me great joy to have come full circle back to Little Rock and be able to share at the Arkansas Arts Center some of the wonderful artworks gathered along the way.”

Founded in 1979, Modernism has since presented more than 450 exhibitions, both historical and contemporary, in media ranging from painting to photography, sculpture to performance, by an international roster of artists. Throughout its 39 years, Muller has aspired to keep the gallery's challenging, museum quality program at the forefront of the art world, with exhibitions encompassing Dada, Cubism, Surrealism, Vorticism and German Expressionism. Muller was also an early promoter and champion of the artists of the Russian Avant-Garde (1910–1930) in the United States. The gallery has held a long list of exhibition “firsts” – in 1980, Modernism held the first exhibition of the Russian Avant-Garde in a West Coast gallery, the first Andy Warhol show in San Francisco in 1982, and in 2003, the first Le Corbusier gallery show in the United States.

Above Right Image: Martin with “Teenage Diary” suite of photographs by Judy Dater, 2018

Photo: Vivian Sachs
Image courtesy of Modernism Inc., San Francisco

 

Featured Works from the Exhibition


John Register, American (New York, New York, 1939 – 1996, Malibu, California), Hotel with Four Chairs, 1974, oil on canvas, 45 x 45 inches. Image courtesy of Modernism Inc., San Francisco.

Joel Besmar, Cuban (Camagüey, Cuba, 1968 - ), Descensus (The Descent), 2013, oil on canvas, 78 5/8 x 57 1/2 inches. Image courtesy of Modernism Inc., San Francisco.

Mel Ramos, American (Sacramento, California, 1935 - ), Ode to Moe #1: Oakland, 1978-79, oil on canvas, 70 x 80 inches. Image courtesy of Modernism Inc., San Francisco.

Pablo Picasso, Spanish (Málaga, Spain, 1881 – 1973, Paris, France), L'Homme au Chien (Rue Schoelcher), 1915, etching with scraper printed on Arches wove paper, Edition of 60, 10 ¾ x 8 5/8 inches. Image courtesy of Modernism Inc., San Francisco.

Andy Warhol, American (Pittsburgh, Pennsylvania, 1931 - 1987, New York, New York), Hamburger (Gold), 1986, acrylic and silkscreen ink on canvas, 11 x 14 inches. Image courtesy of Modernism Inc., San Francisco.

Mark Stock, American (Frankfurt, Germany, 1951 - 2014, Oakland, California), The Butler's in Love #25, 1987, oil on canvas, 56 x 48 inches. Image courtesy of Modernism Inc., San Francisco.

Sponsored by


Brenda Mize

Jane McGehee Wilson

Arkansas Arts Center programs are supported in part by: the City of Little Rock; the Little Rock Convention and Visitors Bureau; the City of North Little Rock; Arkansas Arts Center Board of Trustees; and the Arkansas Arts Council, an agency of the Department of Arkansas Heritage, and the National Endowment for the Arts.

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